Magosaburo's second classical small theater performance:' Tsubosaka Reigenki '
*Information at the time of adoption.
- Name of the organization or individual
- Edo Itoayatsuri Ningyo Yukiza
- subsidy category
- Creation Grant
- Grant Type
- single year
Reiwa 3(2021) 1st Term Creation Grant Category I Single-Year Grant
Business Overview
This is the second version of the Magosaburo Classical Small Theater, planned from the desire of the twelfth-generation Yuki Magosaburo to experience the real thrill of puppet theater in a "small" space. This time, too, visitors were able to fully enjoy the excitement of the classics and the sense of reality that can only be experienced in a small theater, where they can experience the real thrill of a puppet show as close as they can hold it. Ayanosuke TAKEMOTO the fourth, who was active in the front line, was appointed as Tayu (tayu), and the stage was made up of two pieces including shamisen and tsure, and the stage background was projected with the film that was popular last time, and the stage was composed of 'classic and digital film,' creating a stage that utilized modern techniques in the tradition, and the stage was livened up. appearance; Magosaburo YUKI the thirteenth, Funayu Ryogawa the third, Aki Yumoto, Emi Oura, Gidayu: Ayanosuke TAKEMOTO Shamisen: Tsugahana TSURUSAWA, Tsure: Yaya TSURUSAWA Composition/Supervision: Jun TANAKA, Funayu Ryogawa Staff: Tomoyuki IKEDA for stage art, Keiichi OYA for lighting, Takeshi SHIMA for sound (stage office), Masahiro HAMASHIMA for video, Junichi TAKAHASHI for stage director, Yasuaki ONUKI for stage staff at Yukiza Theater
- Period of Activity / Project
- Monday, Thursday, October 7, 2021 - 11th
- Venues
- Zamza Asaya (Suginami Ward, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
[Public Interest Incorporated Foundation Edo Itoa Ayatsuri Doll Yukiza]
The Edo Itoa Ayatsuri Doll Theater Company was established in 1635. The leader was Magosaburo YUKI the 13th. In addition to classical works, he is active in a wide range of works, including new works written and translated, and sketches.
In recent years, he has worked on the following overseas performances and international co-productions.
2007 Invited to the opening of the Avignon Theatre Festival ("Byobu," directed by F. Fisbach)
2010 Invited to the International Theatre Festival: Croatia, Italy ("Descendants of the Eunuch Admiral," directed by F. Fisbach)
2016 Vietnam Youth Theater × Yuki Theater International co-production "Wild Duck Poisoning," original work by Ibsen
National Record-Selected Intangible Folk Cultural Property and Tokyo Metropolitan Intangible Cultural Property.