The 20 Soho 21 Concert
*Information at the time of adoption.
- Name of the organization or individual
- Sokoku 21
- subsidy category
- Creation Grant
- Grant Type
- single year
FY Reiwa 5(2023) 2nd Term Creation Grant Category I Single-Year Grant
Business Overview
Soho 21: Japanese music works created by Dojin were performed day and night. Daytime performance (starts at 13:30) 1. "Nihon Mukashibana Yori Miyako Kagami," adapted by Yasushi KANEKO and composed by Bijiro IMANDO 2. "Hei no ue," lyrics by Masataka IMANDO 3. "Yamanami no kanata ni" composed by Taeko TAKIZAWA, music by Toshiko Yonekawa and Suzuson KURODA with shakuhachite 4. "Togashi ~ 'Kanjincho' iri, '" lyrics by Yasushi KANEKO and composed by Masataro IMANDO Performers: Kisaburo KINEYA, Shinzo FUJIDA, Roku KINEYA, Masataka IMANDO, Masako IMANDO, Bijiro IMANDO, Choryuro IMANDO, Suzuson KURODA, Kiyoyuki FUJISHA, Suihou FUJISHA, etc. Evening performance (18:30) 1. "Nijo Ichikan ~2024 version ~" composed by Toru FUKUHARA 2. "Chakuri Yanadeko" with music by Chuichiro MATSUNAGA 3. "Sakura daiu (with shamisen, koto and kotsuzumi)" composed by Choryuro IMANDO 4. "Kappa," composed by Eikichi KIYOMOTO from "Daini Shirogane no Dengaku" by Hakushu KITAHARA Performers: Kunie Tayu KIYOMOTO, Shoka HAGIOKA, Choryuro IMANDO, Chuichiro MATSUNAGA, Eikichi KIYOMOTO, Asakichi KINEYA, Kosaburo KINEYA, Azusa MORI, Shoyama HASEGAWA, Toru FUKUHARA, Hyakunosuke FUKUHARA, Shinjuro KATATA, NHK Tokyo Children's Choir, etc.
- Period of Activity / Project
- Saturday, May 18, 2024
- Venues
- Kioi Small Hall (Chiyoda Ward, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
[Sokoku 21]
With the aim of continuing and developing the tradition of Japanese music, the group was formed in January 1997 by people with creative aspirations from various genres of Japanese music. He also paid attention to the importance of language in Japanese music and established the Literature Department in March of the same year.
To strengthen the mutual relationship between songwriting and composition, and to create a work of high overall perfection. After a series of trial performances and study meetings, he held his first concert in May 2000. Since then, it has been held approximately once a year. Since 2010, he has held public lectures on "The Key to Creation," in which he analyzes works from the point of view of creators and suggests ways to listen to them.