TeXi's 3rd main performance "Yume no Nakano Kumoku"
*Information at the time of adoption.
- Name of the organization or individual
- TeXi’s
- subsidy category
- Startup Grant
- Grant Type
- single year
Reiwa 4 (2022) 4th Startup Grant
Business Overview
Based on Tanizaki Junichiro's "Shunkinsho," the screenplay and direction have been brushed up on "Yume no Naka no Mumoku," which was performed at the Sengawa Theater Drama Contest in May 2023. It was reborn as a work in which the audience can freely walk around from the simultaneous performance in several galleries. As a matter of course, depending on the choice of the audience, there were scenes that could not be seen or seen, and the world that could be seen or not seen by Shunkin, Sasuke and the people around them in "Shunkinsho" was superimposed on the viewing experience. [Script/Direction] Ayano Tezuka (TeXi's) [Draft] "Shunkinsho" Junichiro Tanizaki [Starring] Asahi Komata (Urban Barbarian), Nanami Natsumi, Kohei Tsuchiya (Comedy Heroine), 1000 Ayumi Nakajima, Erika Noda (Human Condition), Furukawaji (TeXi's) [Staff] Assistant Director: 87 Sui Lighting: Minoru Ogata (Black Monkey) Sound: Yokai Sakurauchi (Futon), Itsuo Osaki (Kuniyoshi-gumi) Stage Director: Sayo Sugiyama Video: Hiroki Matsuo (Toyama no Haruka, KPR/Opening pennant race) Production: Haruka Kono (Nutomic) Promotional Art: Furukawaji (TeXi's)
- Period of Activity / Project
- Tuesday, December 26, 2023 - 31st (Sun)
- Venues
- Kitasenju BUoY 2F Gallery (Adachi Ward, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
【 TeXi's 】
TeXi was established in 2021 as an organization for seamless creative activities such as theater, dance, and fashion shows under the chairpersonship of Ayano Tezuka. With the theme of the complexity of victimization and offending relationships centered on the identity of the person involved, it aims at "art that is not gentle but gentle," which allows time to face oneself while being hurt. While drawing lines to ensure the safety of the actors and the audience, his distinctive approach to the body and space heightens the frustration of circles and confrontations into a catharsis.