Hanami Yabi Part 2
*Information at the time of adoption.
- Name of the organization or individual
- Hanako Nakamura
- subsidy category
- Creation Grant
- Grant Type
- single year individual
Reiwa 3(2021) 1st Term Creation Grant Category I Single-Year Grant
Business Overview
This is a series of performances of sho and Japanese musical instruments. We chose works in which the sho and other instruments were treated equally, and structured the program to be varied as an evening. This was the second time in the series, and they performed six unique pieces using the Satsuma biwa (Japanese lute), Hichiriki instrument, and koto as joint instruments. ● Program Kazuma Suzuki: Hyojo Tenpingaku (Soh, Hichiriki instrument, Sho flute) (2021) Harunao Izawa: Prophetic beast (Satsuma biwa and sho) (2021) Tamami Higashino: Tapestry - Weaver (sho) (1996) Kumiko Takahashi: Seen and Unseen (Satsuma biwa and sho) (2020) Kyoko Yamaguchi: Luminous element (Hichiriki flute, sho) (2016) Masamichi Kinoshita: Natsu wa Yo VIII(Soh, Sho) (2021) ● Performers Akiko Kubota (Satsuma biwa)/Hitomi Nakamura (Hichiriki instrument)/Mika Noda (koto)/Hanako Nakamura (sho)
- Period of Activity / Project
- Friday, January 14, 2022
- Venues
- Suginami Public Hall Small Hall
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
[Nakamura Hanako]
Graduated from the Department of Musicology, National University of Music. He learned the sho from Mayumi MIYATA and Tadateru O and the gakubiwa from Kahoru NAKAMURA. In 2006, he was selected as a domestic trainee for emerging artists by the Agency for Cultural Affairs. As a member of 'Reigakusha', he has performed many solo activities as well as in units such as' Gagaku Zanmai Nakamura Sanchi 'and' Shogirls', a Japanese flute trio. He has been invited to perform at the ballet "Kiyo Hime" in Montreal, at the Ensemble TIMF in Korea, and at Mahidong University in Thailand to spread the charm of the sho to overseas countries.