Radice VIOLA ~ Concert Series and Archive for the Future of Accompaniment Art ~

*Information at the time of adoption.

Name of the organization or individual

Sumire Miyoshi

subsidy category

start-up subsidy

Grant Type

single year individual

The 2nd Startup Subsidy in FY 2021

#04 from [Gyoan] (Okuaki Taiki/Miyoshi Sumire)

Publication of a new composition (Sumire MIYOSHI: "Sei no Nakaba" - for solo singing and piano -)

a meeting of composers, translators and singers to produce a new song

❮❯

Business Overview

Together with musicians who use voice as an instrument, ensemble pianist Sumire Miyoshi produced, performed and created this project. This project consists of five performances and is a series of events created with singers and researchers. Details of each performance are as follows. #01 [Circulation] Mezzo-soprano: Hina Yomitsu J.S. Bach: Mass in B minor BWV232 Qui sedes Mozart: Aria "Sincerely, I swear by myself" K. 23 Rossini: Revue "Otero," etc. #02 [Tango] Soprano: Saebellini Fujii: Revue Puritan/Revue Sleepwalking Woman Chopin: Nocturne in E major, Op. 9-2 (Vocalise edition), etc. #03 [Remnants] Tenor: Shien Nishiyama Rameau: Lyrical Tragedy "Castor and Pollux" Sevrac: Song of the Little Horse Gounod: Revue Romeo and Juliet, etc. #04 [Morning darkness] Bass: Taiki Okuaki Masune: Elegy Rachmaninov: Revue Areco Mussorgsky: Revue Boris Godunov, etc. #05 [Remnants] Soprano: Ayako Suzuki: Kosaku Yamada "In the Wind, I sing Spring Songs"/Collection of Songs "Yurin" Sumire Miyoshi: New Song (translated by Takumi Soma), etc.

implementation period

Sunday, June 19, 2022 - Saturday, September 30
(September is archive release period)

Place of implementation

Kagamachi Hall (Shinjuku-ku, Tokyo)

*Information such as project outlines is provided by organizations and individuals providing subsidies.

Profile

[Sumire Miyoshi]
After graduating from the Tokyo University of Music with a major in music composition and conducting, she completed a course in keyboard instrument research (accompaniment) in the Department of Instrumental Music in the Graduate School of Music. He served as a piano accompaniment researcher at the university for three years.
In 2016, he participated in "A workshop for emerging singers and colepettians led by Mariella DeVia, a project to foster emerging artists who will create the next generation of culture" a project commissioned by the Agency for Cultural Affairs, and many other master classes both in Japan and overseas.
Member of "Gruppo Kappa" presided by Tadayuki Kawahara. In addition to being involved in multiple operas and choral performances as a collegiateur and practice pianist, he also devotes himself to performing on the front stage, performing at the Novanta Quattro's inaugural performance, the opera "La Boheme" on piano, and participating in the premieres of new orchestral works. He is a pianist of the Yokohama Choir Association. (This profile is from 2022)