I don't know when it will break, night after night

*Information at the time of adoption.

Name of the organization or individual

Fuse Dunehiko

subsidy category

start-up subsidy

Grant Type

single year individual

FY 2021 1st Startup Subsidy

The night that may break at any moment (2022) Performance pamphlet

I don't know when it will break, night after night (2022)

I don't know when it will break, night after night (2022)

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Business Overview

After all, music can't stop war. You can't cure the plague. I can't swell my stomach or keep out the cold. Is there anything music can do other than soothe us and make us forget the reality we don't want to see? I know. I was excited when they played symphonies by Beethoven and Shostakovich. I was mad. The more intense the music, the more it reveals the aggression and exclusivity in me. I realized through my performance that I had the potential to be violent and discriminate against others. I know. When I played Bach's Passion, I was hurt. The quiet, painful music makes me see the dirty parts of me that I don't want to see. What a foolish and miserable person I was, I learned through my performance. I watched the news. People discriminated against people. They may or may not have been involved in epidemics and wars. The man was wounded, hurt, or dead. Why, why should this terrible thing happen? Even if music can't stop a war or cure a disease, can't it at least keep you and me from hurting someone else? We can all easily become perpetrators. Doesn't music teach us that? I want to believe in the tiny possibilities of music.

implementation period

Friday, May 13, 2022 -14 (Sat)

Place of implementation

BuoY (Adachi-ku, Tokyo)

Profile

[FUSE Dunehiko]
Graduated from Tokyo University of the Arts. They work in three areas: performance, criticism and planning. As a performer, he has been a principal guest performer in professional orchestras, performed and performed experimental music, and also played period instruments. He has performed at Antonello and Bach Collegium Japan. play violones of various sizes and tunings. He made his debut as a critic when he won the Encouragement Prize of the 7th Minamio SHIBATA Music Critic Award for his Jikhyo 'Musical Attitude.'. He has contributed to the music magazine "Record Art" and the Asahi Shimbun. He is currently the principal contrabassist of the Orquestor Avant-Garde, director of the Michael Haydn Project, and art director of the Hakone Ongaku Forest.