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The Happiness Class Collapse Performance in July 2021 "The End Point"

*Information at the time of adoption.

Name of the organization or individual
collapse of the happy class
subsidy category
Creation Grant
Grant Type
single year

FY2 Reiwa 2020 2nd Term Creation Grant [Single-Year Grant Program]

Business Overview

Based on the microscopic perspective of the lives of people living in cities and the macroscopic perspective of the history and transition of cities themselves, he created an original theatrical work focusing on these gaps. The performance revolved around live performances of club music and accompanying speech through microphones. Activities were conducted to disseminate works beyond the framework of art, such as holding talks with artists of the same generation who create works in diverse artistic fields while focusing on music, theater, and theater, and to deliver works regardless of physical distance, such as distribution. [Performers, Staff, etc.] Performers: Kensuke Tanaka, Natsu Fukui, Ayayasu Ota, Arata Murayama, Ayuha Hayashi Script, direction, music, performance: Hinata Murami Sound: Daao Fukasawa Costume, advertisement art: Marika Nishida Planning and production: Minoru Kamioka, Ayuha Hayashi Production: Risa Saito, Miyu Sasaki Stage director: Yoko Ogawa Stage art: Hayato Itakura Lighting: Minoru Ogata (Black monkey) Video photography: Rooftop Photo photography: Yoshiyuki WEB: Kobayashi Taxi, Ayumi Awaya

Period of Activity / Project
Friday, July 16, 2021 - 18 (Sun) (Performance) Sunday, August 15, 2021 - 22 (Sun) (Online Distribution)
Venues
Kichijoji Theater (Musashino City, Tokyo) Online distribution * Information such as project outline is provided by organizations and individuals that provide subsidies.

Profile

【 The Disintegration of the Happy Class 】
They have incorporated music production and performance mainly of dance music into their dramas, and are active mainly in the style of "Yotsuuchi Gekijo" and "Live Gekijo" where all the lines are spoken to the beat through a microphone.
In addition to theaters, music studios, live houses, and clubhouses are also used as performance venues, and they engage in borderless activities between theater and music.