DULL-COLORED POP vol. 23 "Hilltop, Nemunoki Obstetrics and Gynecology"
*Information at the time of adoption.
- Name of the organization or individual
- DULL-COLORED POP
- subsidy category
- Creation Grant
- Grant Type
- single year
Reiwa 3(2021) 1st Term Creation Grant Category I Single-Year Grant
Business Overview
Tani Kenichi's new play is a collection of seven episodes based on interviews with dozens of people on the theme of pregnancy. Through the images of obstetricians and gynecologists in a fictitious local city, we can see the state of modern society: the declining birthrate, late marriage, gender roles, youth poverty, fertility treatment, abortion, moral harassment, anti-natalism, and gender differences. Based on the theme of "imagining a different sex/life," it was performed at Shimokitazawa Suzunari with two versions of A/B cast with male and female alternating. Writer/Director: Kenichi Tani [Performers] Hideto Higashitani, Kazushi Uchida, Ayaka Ouchi, Manami Kurahashi, Kenichi Tsukagoshi, Koshige Miyaji, Kenji Kishida, Yuko Kinoshita, Sakura Tominaga, Supika Yubune, Sojin Lee, Ryo Watanabe [Staff] Script Supervisor: Sai Kitamura Medical Supervisor: Miki Inada (Doctor) Art: Kenichi Toki Lighting: Daisuke Matsumoto Sound: Mariko Shimizu Costume: Chiharu Oikawa Stage Director: Yuki Takei Video: Nobutaka Matsuzawa Production: Hiroshi Onozuka
- Period of Activity / Project
- August 11, 2021 - August 29
- Venues
- The Suzunari (Setagaya Ward, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
[DULL-COLORED POP]
Launched in 2005. Based on the dramaturgy he studied at universities in Japan and England, he actively adopted dramaturgical techniques from all ages. A pure theater group that continues to pursue "You can do anything because it's theater!".
DULL-COLORED POP3 Oaths
Pure Theater Based on the principle of theater supremacy, we will continue to create pure theater that is purely theatrical. Research, Propagation, and Connection: Widely disseminate knowledge and techniques acquired through books and hands-on learning, and increase the number of colleagues. Revisiting the Audience Relationship Revisiting the traditional relationship between performers and viewers to create "theater as an experience."