Dance Drama IV
"BALLO ~ Romeo and Juliet ~"
*Information at the time of adoption.
- Name of the organization or individual
- CHAiroiPLIN
- subsidy category
- Creation Grant
- Grant Type
- single year
FY29 Creation Grant [Single-Year Grant Program] 1st term
Business Overview
A new play based on "Romeo and Juliet" is performed as the fourth part of the "dancing drama series." Rather than dismantling this story, which has absolute strength in both theater and dance as beautiful words and beautiful bodies, as a modern version, CHAiro iPLIN ’ s unique interpretation of “literature × body, ” song, performance, dialogue, dance, onomatopoeia, contact dance, etc., while keeping the classical elements in both words and bodies intact, attempted to present the performance with the theme of choreography that strengthens the quality of the dance of individual dancers, including Romeo and Juliet Duo, and focuses on the existence of each person living in a romantic tragedy. < < Choreography, Composition, Direction > > Takuro Suzuki < < Performers > > Jintoku, Elizabeth Marie, Toshihiko Kashiwagi (0th movement), Naoto Katori (Condors), Gitaro (Condors), Yuri Shimizu, Miho Suzuki, Kimifumi Suzu, Jody, Miho Tanaka, Yusaku Torigoe (Tsubaki-gumi), Seiko Niibe, NIWA (Wani Mall), Hiroshi Nosaka, Azusa Fukushima, Yuuko Masuda, Mika Motoyama, Takuro Suzuki, Hairi Katagiri, and others
- Period of Activity / Project
- Saturday, December 2, 2017 - 3 (Sun)
- Venues
- Tokyo Globe Theater (Shinjuku Ward, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
【CHAiroiPLIN】
A dance company formed around Takuro Suzuki.
The cast consists of actors and dancers who are full of individuality, and under the concept of [Realization of highly entertaining performances that can be enjoyed by men and women of all ages] incorporating a lot of dialogue, songs, and onomatopoeia, they have continued to perform since 2007 with the goal of exploring the diversity of expression, richness, and performance that is not bound by the established concept, and strongly pushing out the possibilities of new performing arts.