Rooftops and Indoors
*Information at the time of adoption.
- Name of the organization or individual
- newspaper writer
- subsidy category
- Creation Grant
- Grant Type
- single year
FY30 Creation Grant [Single-year grant program] 2nd term



Business Overview
Newspapers have continuously worked on the design of effective relationships and environments so that each participant can notice a slight change in the performance. In this project, Kunio Kishida's Rooftop Garden (1926) and Sonsha's newly written Food Court were performed separately in spring and autumn. Both were directed by Sonsha. The former used Tsutsujigaoka Atelier, a one-story wooden house partly converted into an atelier, and the latter used TABULAE, a gallery partly converted from a private house, and planned to perform in an environment that was difficult to determine whether it was ordinary or extraordinary. At that time, Riku YAMAKAWA, an architect, intervened in the work of the hall, and it was not merely a stage art, but also a facility where performers and audiences were affected as residents. Each of them dealt with an uncannily detailed flicker of emotion between family members. He also bet on the term “rooftop and indoor ” to describe the movement of families that occurs when the two works are juxtaposed, and gauged the weight of the movement through childbirth and the practical passage of about 100 years.
- Period of Activity / Project
- Rooftop garden: Friday, April 26, 2019 - Tuesday, April 30 Food court: Saturday, September 21, 2019 - Sunday, December 1
- Venues
- Rooftop Garden: Tsutsujigaoka Atelier (Mitaka, Tokyo) Food Court: TABULAE (Sumida Ward, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
[Newspaper]
Theater company by theater writer Yutaro Murasha. 3331 Won the Akane Nakamura Award in the performance category of the 2014 Chiyoda Art Festival. A critic, Uchiyogi, described Sonsha's unique text, which tried to make the body unique to the stage stand out, as' both poetry and performance. '. It is also said that the style of his works almost approaches' reading 'itself (Atsushi SASAKI).




