Support Project for High School Students and Students
*Information at the time of adoption.
- Name of the organization or individual
- Japan Center of the International Theater Association
- subsidy category
- Creation Grant
- Grant Type
- single year
FY29 Creation Grant [Single-year grant program] 2nd term
Business Overview
< Purpose and Objectives of the Project > 1) To foster young audiences such as high school students and students and enhance their appreciation 2) To provide opportunities for interaction among audiences of the same generation and to expand opportunities for multifaceted appreciation 3) To create an environment that provides opportunities for exposure to the performing arts and to disseminate information 4) To cultivate young audiences' ability to express and criticize plays by writing reviews 5) To provide a more active and independent experience of participation by high school students and university students Contents Theater Cafe (4 times) Lecturers: Kyoko Tokunaga, Ayano Tanaka, Naoya Shimada, Tsuneshi Odashima Interviews with theater performers Interview E: Mana Katsura Best Practice Workshop Interview E: Madoka Goto
- Period of Activity / Project
- Sunday, October 1, 2017 - Sunday, September 30, 2018
- Venues
- 1st Theater Cafe: Tokyo Metropolitan Theatre Conference Room (Toshima-ku, Tokyo) 2nd Theater Cafe: MySpace Ginza Marronnier Street Store (Chuo-ku, Tokyo) 3rd Theater Cafe: Tokyo Metropolitan Theatre Meeting Room 5 (Toshima-ku, Tokyo) 4th Theater Cafe: LIVE & BAR Cha Cha Cha 3F (Setagaya-ku, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
[Tokunaga Kyoko]
Theater journalist. He is a member of the planning and operation committee of the Tokyo Art Theater, planning and operation advisor of the Senkawa Theater, and planning advisor of the Parthenon Tama. He wrote theater reviews for the Asahi Shimbun newspaper every month. Supervised and wrote the drama site "Engeki Ryoku-ron -ing." His books are "Engeki Ryoku-ron" (Theory of Engeki Ryoku-ron) (co-authored with Chikara FUJIWARA) and "Wara ni Hikari" (Give Light to Us).
[Tanaka Ayano]
At university, I specialized in philosophy and drama. While studying the philosophy of the German philosopher Kant, he was involved in theater criticism due to his long history of theater watching. While focusing on contemporary drama criticism, he is currently in charge of explaining highlights of Bunraku and Kabuki as well as theater reviews for newspapers, magazines and pamphlets.
Shimada Naoya
Born in 1971. He is currently an associate professor in the Department of Political Science and Economics at Meiji University, and chief editor of Theater Arts, the organ of the Japan Center of the International Association of Theater Critics. His major is modern Japanese literature and contemporary drama criticism. Won the 12 Theatre Arts Award with Honorable Mention for (Theater Arts No. 34, 2008.3).
[Tsuneshi Odajima]
Born in 1962. He was a professor at Waseda University's School of Literature and a translator. He studied D.H. Lawrence, modern Anglo-American plays, and the actual translation of plays. Won the Yoshiko Yuasa Award for translation and adaptation in 1995. His many translations include "Copenhagen," "Pygmalion," and "Arcadia." Translated Children.
【 Mana Katsura 】
As a dance and theater critic, she has contributed to several media including newspapers and magazines. After working as an editor at Magazine House Co., Ltd. (Magazines such as Brutus and books such as "Anne's Cradle, a critical biography by Hanako MURAOKA/Eri MURAOKA" by Haruo NAKANO and by Ren OSUGI.), he assumed his current position. It explores the relationship between art and society by exploring a variety of performing arts that transcend genres, from experimental stages overseas to traditional performing arts. He also wrote art criticism and book reviews. He is a member of the International Association of Theatre Critics (AICT). He was an invited researcher at the Theater Museum of Waseda University.
[Goto Madoka]
Born in Tokyo. Graduated from the Department of Japanese Language and Japanese Culture, University of Tsukuba. She worked as a production assistant and as a theater attendant since her school days, and became a freelancer after working at Next Co., Ltd. 2014 Established atlas Co., Ltd. They are engaged in production, production and ticket business. Produced works include "Ana no Hatsukoi Seirimasu," "Indigo Tomato," "Utsuro no Makoto," "Face" and "Sister."