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Japanese Music Quartet concert vol. 13

*Information at the time of adoption.

Name of the organization or individual
Japanese music quartet
subsidy category
Creation Grant
Grant Type
single year

FY2024 1st Term Creation Grant Category I Single-Year Grant

Business Overview

For the first time as a regular performance, the program consists of a solo, duo, trio, and quartet. It was a new attempt for further development. [Program] Two koto, 17 stringed, shakuhachi quartet: Noriyuki Noda, "Matsu no Kyoku" (1975) Memorial performance Three stringed, koto, shakuhachi trio: Kengyo Kikuoka, "Oyama Jishi" (classic) Three stringed solo: Jean-Louis Agobet, "Mains et Cercle Pour Shamisen solo" (2024) World premiere 17 stringed, shakuhachi duo: Satoaki Sato, "Kamochin no Mai" (2016) World premiere New performance commissioned by Shunsuke Azuma "Hair: for shakuhachi, 2 sides of koto, and 17 strings" (2024) World premiere Planned production and appearance: Japanese music quartet (Soh, sangen (three-stringed string), and 17 stringed strings: Noriko HIRATA, Yuko TERAI, and Nichi? Shogo and Shakuhachi: Kuroda Suzumon) Stage: Tsurukawa Gakki Honten

Period of Activity / Project
Tuesday, November 19, 2024
Venues
MUSICASA (Shibuya-ku, Tokyo)


*Information such as project outlines is provided by organizations and individuals providing subsidies.

Profile

[Japanese music quartet]
A quartet formed in the spring of 2011 by four graduates of the Japanese music department at Tokyo University of the Arts.
Based on the concept of "creating music of the present and the future with traditional Japanese instruments," he has developed activities from three perspectives: "commissioning new works to composers = joint activities with composers to explore Japanese music of the present and the future," "revisiting masterpieces of contemporary Japanese music composed since the 1960s," and "traditional sankyoku gasso (classical ensemble of sangen, koto, and shakuhachi)," which is the basis of these activities, and his performances have been highly praised both in Japan and abroad.