Musical score painting vol. 15 1 "Good campaign"
*Information at the time of adoption.
- Name of the organization or individual
- musical score painting
- subsidy category
- Creation Grant
- Grant Type
- single year
Reiwa 5(2023) 1st Term Creation Grant Category I Single-Year Grant
Business Overview
In the film, two travel stories address important modern topics such as dark tourism and euthanasia. There are pros and cons to both topics, and while firmly grasping both sides of the argument, the aim was to depict the actual experience of tragedy and prevent it from fading away, or to depict the problems of modern society, such as the people who consume, secondary consumption through SNS, and flames caused irresponsibly by faceless people, from the perspective of music painting. ■ Performers Seion TAKAHASHI (Seinendan) Yuka NISHIMURA (Seinendan) Masaru NISHIYAMA (Seinendan) Yuri NITTA (Seinendan) Chie HAYASHI (Seinendan) ■ Audio Performers Tomoo OMI (music painting) Moe MIYAGAHARA (music painting) ■ Script/Direction Ryota MITSUHASHI (music painting)
- Period of Activity / Project
- Saturday, May 25, 2024 - Sunday, June 2
- Venues
- Atelier Shunpusha (Itabashi Ward, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
[Music Painting]
With the aim of creating "new experience (live-ness)," he creates and presents works to induce and develop through theatrical imagination.
At present, he focuses on the structure of the performance and its development. One of the major characteristics of plays is the 'nested structure' in which scenes are gradually and multilayered, changing continuously within an episode.
I have been very interested in travel and tourism since the pandemic. He also continues to deal with death, which is inevitable for all living things in the future and cannot be separated from life.
Aiming to create a performance in which synergy circulates between the work and the space, he has produced and presented works in various spaces and architecture. I would like to continue to present works in which the imagination generated by the plays performed spreads from the space of the venue to the outside (including the lives of the audience members) and creates a great wave in the performance.