Involvement of restored instruments in the performance of ancient music: An approach to musical expression aimed at by composers
*Information at the time of adoption.
- Name of the organization or individual
- Masamitsu Sannomiya
- subsidy category
- Creation Grant
- Grant Type
- single year individual
Reiwa 3(2021) 1st Term Creation Grant Category I Single-Year Grant
Business Overview
Piano at the dawn of the era of co-creation and the fully matured Chambaro (Portuguese piano, chambalo and oboe concerts) Using the restored instrument of Joachim Jose Antunes (Lisbon, 1767, Forte Piano) made for the first time in Japan, he sheds light on the era of co-existence by comparing the early days of piano in the Iberian Peninsula, which is rare in the world, with the Chambaro, which was loved as an instrument preceding the Forte Piano at that time and co-existed. Performers: Oboe: Masamitsu Sannomiya Piano: Chie Hirai Chamberlain: Makiko Mizunaga Keyboard instrument maker: Akira Kubota Music: Scarlatti, Seixas, etc. Staff: Matsuki Art Office
- Period of Activity / Project
- Thursday, October 21, 2021
- Venues
- Omi-Gakudo (Shinjuku-ku, Tokyo) * Information such as the project outline is provided by the organizations and individuals who provide subsidies.
Profile
[Masamitsu Sannomiya]
Graduated from Musashino University of Music. He won the second prize at the Bruges International Old Music Competition. Since 2008, he has been producing historical oboes with Niji Tamura. Released solo albums "Virtuoso Oboe," "Oboe Works of 19 Century Paris" and "Vidercare Duosonata". He is currently the principal oboist of "Bach Collegium Japan" and "Orquestor avant-garde". Presides over Ensemble Vincent. He is a lecturer at the Department of Ancient Music, Tokyo University of the Arts.