Kim Yo-han's solo exhibition of music, ambiguous/complicated/coincidental ... listening

*Information at the time of adoption.

Name of the organization or individual

Kim Yeo-han

subsidy category

start-up subsidy

Grant Type

single year individual

FY 2021 1st Startup Subsidy

Kim Yo-han Compositions Exhibition (2021) Photo by Masakazu Natsuta

Kim Yeo-han Compositions Exhibition (2021)

❮❯

Business Overview

While today's music listening is done through virtual interfaces (music distribution such as YouTube), the purpose of this project is to hold a concert that enables people to gather in one space and listen to music quietly while maintaining the concert style. Five works composed under the creative theme of "Hearing between ambiguous/complicated/accidental ..." will be performed, including old and new works. The performers are Kota Sakamoto on the tuba, Hidetaka Nakagawa on the bassoon, Aiki Kitajima on the cello and Goko Inoue on the piano. This is also my first solo exhibition in Tokyo to express my gratitude to the many teachers, colleagues and musicians who have nurtured me as a composer over the past 10 years, and to the people of Japan who enjoy listening to my music. This project aims to contribute to disseminating the appeal of Tokyo's music art culture. [Program] Co-reference (2018/2020) Bassoon solo De-reference (2019) Tuba solo Let “Cello” take its own course (2021) Cello solo Why we take for granted in the sounds? (2021) Piano solo Unestablished Structures (2021) Ensemble for 4 players

implementation period

Monday, September 13, 2021

Place of implementation

Ryogoku Monten Hall (Sumida Ward, Tokyo)

*Information such as project outlines is provided by organizations and individuals providing subsidies.

Profile

Kim Yo-han
Born in Seoul, South Korea, Kim moved to Japan in 2011 to become a composer. He is currently enrolled in the doctoral course of the Graduate School of Music, Kokuritsu University of Music. Focusing on the interactivity of "music" that connects human nature and sound, he creates works with the theme of irony related to understanding works and humor that nullifies irony. He studied music composition under Yuzuru KONDO, Soharu KAWASHIMA, Yumi SAIKI, Masakazu NATSUTA and Thomas Meyer-Fiebig.