Sangatsu China Tour Performance & Workshop
*Information at the time of adoption.
- Name of the organization or individual
- Sangatsu
- subsidy category
- Creation Grant
- Grant Type
- single year
FY29 Creation Grant [Single-year grant program] 2nd term



Business Overview
Six performances in Shanghai and Beijing. In addition to the premiere of a completely new work at the Beijing Sanshei-dang, workshops were held in two cities, and improvisation performances with local musicians were held at the "Zhu Square House" in the water city on the outskirts of Shanghai. [Cast] Sangatsu [Staff] Aya Komori (overseas production), Raku Nakahara (sound), Yutaka Endo (technical/visual)
- Period of Activity / Project
- Saturday, April 28, 2018 to Saturday, May 5
- Venues
- ・BANDAI NAMCO Shanghai Cultural Center 'Future Theater', Shanghai Ming Dynasty Art Museum [McaM], Zhujiakusodo (Shanghai), Hengkao Theater, Jiangjin Liquor Omni Space, Sanei-do Center for Photography (Beijing)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
【 Sangatsu 】
Formed in Tokyo in 1997. He made his debut with Sangatsu, produced by Jim O'Rourke.
Established for the purpose of creating expression using sound in a wide range of ways, without being bound by the framework of music.
There are many collaborations with other genres such as theater, dance and film.
In June 2013, she gave her first overseas performance at the Hengkong Theater in Beijing, where she shared a performance incorporating the space with audiences in Beijing.
After that, he gave overseas performances in Germany, Korea, Taiwan, etc.
His activities focused on the relationship between music and listeners, such as providing music for films and stage productions, announcing his new project “Catch and Throw, ” which presents the mechanisms and rules (platforms) by which music is played, and waiving copyrights for works released after 2012 for the next 5 years.
In recent years, she has been focusing on workshops and exploring more open forms of music, such as music performances by non-musicians participating in workshops and performances combining workshops and tour performances.




