The 3rd Kiyomoto Concert by Shizuko Tayu Kiyomoto Ittayu Kiyomoto
*Information at the time of adoption.
- Name of the organization or individual
- Kiyomoto Shizukodayu
- subsidy category
- Creation Grant
- Grant Type
- single year individual
FY29 Creation Grant [Single-year grant program] 2nd term
Business Overview
This concert was planned for the purpose of passing on and revitalizing the tradition of Kiyomoto-bushi, and focused on the simple Joruri of Kiyomoto-bushi, which is performed as the music (local) that supports Kabuki and Japanese dance. There were three pieces to be played: two classical pieces typical of Kiyomoto and one contemporary piece complemented by Eizaburo KIYOMOTO. There are male and female successors to Kiyomoto-bushi, and both of them have been active and have supported the tradition of Kiyomoto-bushi, so I think I was able to present a new possibility of Kiyomoto-bushi by introducing the narration of a woman in the third piece and expecting that this would bring about a change in the composition and an enhancement of the overall composition. [Program] 1. Ume no Haru (It is said to have been performed for the first time in 1827, and it is a representative song of Goshugimono singing the spring scene of Sumida River.) 2. Ukare Bozu (Tokiwazu Kyoku first performed at the Edo Ichimura-za Theater in 1811 was transferred to Kiyomoto by Kikugoro ONOE VI and first performed at the Kabuki-za Theater in 1929. Kiyomoto-bushi's unique expression of gannin bozu is popular.) 3. Haruyoi Fukiyose Banashi (It was complemented by Eizaburo KIYOMOTO. The late Koisaburo NISHIKAWA choreographed Kiyomoto's feelings for a popular rakugo performer as a geisha. This time, men and women will perform in Kiyomoto.) [Main performers] Joruri: Kiyomoto Shizuko Tayu/Kiyomoto Shizu Odayu/Kiyomoto Kiyoei Tayu/Kiyomoto Kiyomi Tayu/Kiyomoto Ittayu/Kiyomoto Kunie Tayu/Kiyomoto Hyodayu/Kiyomoto Narumi Tayu/Kiyomoto Nobuya (female)/Kiyomoto Enjukyo (female) Shamisen: Kiyomoto Bijiro/Kiyomoto Eikichi/Kiyomoto Yujiro/Kiyomoto Saiju/Kiyomoto Mijuro/Kiyomoto Shiichiro/Kiyomoto Miichiro/Kiyomoto Nobuakiro (female) Stage director: Kiyono Masatsugu Production: Kakizawa Yoko/Kato Shigeji
- Period of Activity / Project
- Tuesday, April 24, 2018
- Venues
- Kioi Small Hall (Chiyoda Ward, Tokyo)
*Information such as project outlines is provided by organizations and individuals providing subsidies.
Profile
Kiyomoto Shizuko Tayu
Kiyomoto Setsudayu. Both his grandfather Kiyomoto Shijutayu and his father Kiyomoto Eizaburo are Living National Treasures. Graduated from the Department of Japanese Music, Faculty of Music, Tokyo University of the Arts. At present, he is active as a kabuki jikata (regional kabuki actor) and teaches young people as an instructor at Tokyo University of the Arts.