My father, Giacometti.

*Information at the time of adoption.

Name of the organization or individual

sign of the devil

subsidy category

Tokyo Arts and Culture Promotion Subsidy

Grant Type

single year

FY 2014 Phase I Tokyo Arts and Culture Promotion Grant (Single Year Grant Program)

"My father, Giacometti." Trial Performance + Public Meeting (June 2014) @Akumanoshirushi

Trial performance of "My father, Giacometti." + Public meeting (June 2014)

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Business Overview

Alberto Giacometti is an artist who left a great mark on 20 century art history. Although he is well known for his slim-cut plastic images, he also left many portraits. Among the people close to him who served as his model was a Japanese. He is the man who recorded all the intense conversations with Isaku Yanaihara and Giacometti. In this work, the dialogue records left by Isaku are the basis, but the story of a certain father and his son, namely the director NANGUCHI (KIGUCHI) Muneyuki and his father, Keizo KIGUCHI, a Western-style painter over 70 years old, will be superimposed on it. Writer/Director: NAGUCHI Toyuki Original: "Giacometti," "Complete Giacometti Handbook" Yanaihara Isaku/Misuzu Shobo Performers: KIGUCHI Keizo, KIGUCHI Toyuki, OTANI Hikaru Video: ARAKI Yu Music: ABE Umitaro Lighting: OSHIMA Makoto (KAAT Kanagawa Arts Theater) Subtitle Control: KIGUCHI Keiko Stage Director: SATO Megumi Graphic Design: MIYAMURA Yasuo Production: Devil's Shiru, OKAMURA Takio (Okamura & Company), SAWATO Ayumu (KAAT Kanagawa Arts Theater) Planning: Devil's Shiru/KAAT Kanagawa Arts Theater Co-Production: KAAT Kanagawa Arts Theater, KYOTO EXPERIMENT Sponsor: Devil's Shiru, CULTURE SCAPES

implementation period

Tuesday, November 4, 2014 - Tuesday, November 11 Cool, Bellinzona, Basel/Switzerland

Place of implementation

Theater Chur (Cool) Teatro Soziale Bellinzona (Basel) Das Neue Theater am Bahnhof (Basel)

Profile

[Devil's Sign]
A group that performs the works of playwright and director NANGUCHI Masayuki.
In contrast to the traditional system of theater and performance, he has presented a wide variety of works by taking a multifaceted approach.
Most of the members do not specialize in theater, and although their expression takes the form of theater, they always incorporate other methods and values into their productions.
It is characterized by activities that harmonize the relationship between actors and audiences, such as when participants become performers or when a person's daily work is put on the stage, which is called 'theater.'.