Co-production Project O 3rd performance "Three, four."

Name of the organization or individual

co-production project O

subsidy category

Startup Grant

Grant Type

single year

FY2025 2nd Startup Grant

Co-written Project O 3rd performance "Three, four." (2026) Performance 1

Co-written Project O 3rd performance "Three, four." (2026) Performance 2

Co-created Project O 3rd performance "Three, four." (2026) Exhibition and pre-event

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Business Overview

For the third performance, "Three, four." was held under the theme of three and four co-works. Prior to the performance, two pre-events were held to share the creative process with the public through open collaboration and participatory experiments. The performance includes the premiere of <<"Secret, still secret.">> a new work written by three artists, and the revised premiere of <<Gingy and rusty, I want you, EGG>> a work written by four artists using cooking utensils. In addition, as part of the "repeat performance section," two works were performed in which the performance style was reconsidered by confronting the works performed in the past, and the possibility that the works could be revealed through repeated performances was presented.

Composition and Performance:
Maika Oguri, Nanao Yamada, Mayuko Matsumoto, Doma Yamauchi, Takumi Harada, Zutami Hayashi

Performers:
Suzon Kuroda (Shakuhachi flute), Hitomi Nakamura (Hichiriki instrument), Takuya Koketsu (Ryuteki flute), Minami Iguchi (piano), Shotaro Kikuchi (clarinet), Shota Watanabe (performance)

Period of Activity / Project

[Pre-event] Saturday, February 28, 2026
[Pre-event] Friday, March 6, 2026
[Performance] Tuesday, June 2, 2026

Venues

Suginami Public Hall, Small Hall (Suginami Ward, Tokyo)

Profile

[Co-writing Project O]
Co-writing Project O is a project where professional composers challenge their own expression and explore new possibilities of expression through the practice of co-writing. He goes beyond the framework of a modern individual writer and positions the process itself of dialogue, conflict, discovery and change through collaboration with others as creative practice. Not only in concert format, but also through workshops, research meetings, and performances by composers themselves, the process of ideas coming to fruition into works is opened up. By sharing with society the process of creation and the relationships that arise there, he is renewing the nature of composing music.