What we do

Let's play Gakaku Biwa and So; ensemble of “Etenraku”

  • Organization : Reigakusha Gagaku Ensemble
  • Section : None
  • Type of Grant Program : Single
  • Art Forms : Japanese Traditional Art

Outline

Practical experience course
November 6, 15, 18, 22, 29, 2024 at Tokyo Concerts Lab, Shinjuku City, Tokyo


Hands-on experience event
Biwa and So

Number of practical skill sessions per participant (including presentation/rehearsals for presentation)
5 sessions

Principal instructor
Yoshiyuki Izaki, Hitomi Nakamura, Hanako Nakamura

Event features
Gagaku instruments include wind instruments, but for this program we will be looking at the Biwa and So, string instruments which are rather difficult to learn in terms of finding lessons and places to practice, etc.
Compared to wind instruments, getting an initial sound out of these instruments is relatively easy, making them accessible for beginners.
For this program we have chosen the work “Etenraku,” which everyone is familiar with.

Session 1 Learn how to hold the instruments, make sounds, and the basic playing techniques
Session 2 Learn how to read the musical notation, play while reading the music
Session 3 Perform the chosen work on the instruments
Session 4 Learn what a good sound is and how to produce it
Session 5 Play “Etenraku” as an ensemble

Publicity methods for the recruitment of participants (collaboration, cooperation, networking, etc.)
We are considering distributing flyers to musical instrument stores and putting ads on social media.

Ways to enable participants to continue with practical skills experience (other than programs covered by this grant) after the end of the event
There are virtually no places where you can practice Gagaku Biwa and So on a daily basis, so we hope this experiential program serves as an introduction to Gagaku and encourages participants to develop an interest in learning wind instruments next. Many Gagaku musicians play one wind instrument, one string instrument, or both. There are no places to practice on a daily basis, but playing and learning about string instruments (which are easy to get a sound out of and are therefore beginner-friendly) and hearing wind instruments played up close during the ensemble performance will hopefully lead beginners to continued learning/practice, and a deeper interest in Gagaku.

Profile

Reigakusha Gagaku Ensemble
A Gagaku performance ensemble formed in 1985 by the late Sukeyasu Shiba. Currently led by musical director Mayumi Miyata. Since its launch, the group has not only engaged in the performance of the traditional Gagaku repertoire but has also been proactive in the revival of obsolete numbers, the reproduction of/ performance with millennia-old musical instruments preserved at the ancient Imperial storehouse, Shosoin, and the performance of contemporary compositions. To date, it has commissioned new works from composers including Joji Yuasa, Toshi Ichiyanagi, Shin-ichiro Ikebe, Michio Kitazume, Toshio Hosokawa, Toshiro Saruya, Sunao Isaji and Yu Kuwabara. Toru Takemitsu’s “In an Autumn Garden” has been an important part of Reigakusha’s repertoire from the beginning, racking up repeat performances in Japan and overseas. In 2002 the group won the Special Prize of Kenzo Nakajima Music Award. “Reigakusha Gagaku Concert – In an Autumn Garden” received the 16th Keizo Saji Prize. In 2020 it won the 50th ENEOS Music Awards – Japanese Traditional Music Division.

Contact

MIYAMARU Naoko
Director
Reigakusha
Sen-nichidani-kaido, 19-2 Minamimotomachi, Shinjuku-ku, Tokyo 160-0012

Tel:+81-(0)3-5259-2011
Fax:+81-(0)3-5259-2011
info@reigakusha.com