This project was an experiment in providing a “place for dialogue of the body” allowing people to mutually verify what their bodies are feeling or experiencing; something that is difficult to grasp with solo movement. The project’s starting point was dance-based exercises using contact improvisation, a dance technique in which dance is improvised through physical contact with others. The project targeted people who found issues with/developed interest in the concept of “touching /being touched” after experiencing the coronavirus pandemic. Participants from the public and creative members of the project participated in monthly workshops and talk meetings on an equal footing. A stage performance and art exhibition were created for June which referenced various experiences and conversational exchanges from the workshops and talk meetings. The June events gave audience members the opportunity to have hands-on experience of exercises based around “touching/being touched,” and included an audio exhibition entitled “Touching/Being touched/Unable to be touched” featuring quotes from workshop participants. After visiting the exhibition, audience members could take part in an audience-only philosophical exchange as well as a guest-attended symposium. These initiatives are helping AAPA work towards the coexistence of creative/performative environments, and platforms for bringing out the creativity and individuality of participants/audience members from the public.