In recent years, festivals and cultural institutions specializing in new media art have developed practical and accessible programs for people to experience creativity hands-on and learn about various forms of artistic expression that use media technology. From this we can see the emergence of new cultural and arts platforms organically connecting digital media, the public, and society through transnational and transregional collaboration and collective creativity within the network society.
What values and challenges are made possible today by digital media creativity? This symposium explores how infrastructures for new media art function within society through a wide-ranging series of case studies from art centers and festivals around the world. It will also consider related issues of cultural heritage, preservation, and archiving for Internet art and other examples of practice that employ digital technology. Bringing together leading practitioners in media art creativity, education and archiving, the symposium is an opportunity to assess the future prospects for arts and culture that will grow out of crossovers between art and technology.
*English-Japanese simultaneous interpretation available
10:40-12:40 [Session1] Platforms for Creativity and Learning
Tengal (Composer / Founder of WSK: Festival of the Recently Possible)
Kiyoshi Suganuma (Educator at the Yamaguchi Center for Arts and Media [YCAM])
Jos Auzende (Artistic Advisor of the Gaîté Lyrique)
Julia Sarisetiati (Artist, Curator / ruangrupa)
12:40-14:00 time for a break
14:00-15:30 [Session2] Restoration, Preservation and Archiving Today
Yae Akaiwa (Artist / exonemo)
Aria Dean (Rhizome at the New Museum, Assistant Curator of Net Art)
15:30-16:00 Q&A and Discussion
*The program content is subject to change.
[Session1] Platforms for Creativity and Learning
Tengal (Composer / Founder of WSK: Festival of the Recently Possible) [Philippines]
Tengal is a composer, media artist, and cultural producer. He has been involved in research-based production bridging art, technology and society. Since 2005, he has been producing various media art events and initiatives in Manila and the Southeast Asian region. He founded the art organization SABAW Media Art Kitchen in Manila as a curatorial platform specializing in digital and media art from Southeast Asia. In 2008, he initiated the Philippines’ first international media art festival and symposium, WSK: Festival of the Recently Possible. In 2017, he curated the exhibition “INTERSTICES: Manifolds of The In-between” with the Japan Foundation Asia Center.
Kiyoshi Suganuma (Educator at the Yamaguchi Center for Arts and Media [YCAM]) [Japan]
Born in 1982. After completing his degree at the Kyoto University of Art & Design, Kiyoshi Suganuma entered the Institute of Advanced Media Arts and Science [(IAMAS]). As well as conducting research into media facades, which incorporate video and interactivity into building exteriors, he has also worked at an architectural firm, where he was involved in designing office interiors and exhibition sites. In 2009, he started his career at the YCAM, where he has been organizing entire education programs and planning research/development projects aimed at making practical use of regional resources, including planning workshops and facilitation and creating the Korogaru Koen Park project. He is interested in ways of initiating bottom-up communities.
Jos Auzende (Artistic Advisor of the Gaîté Lyrique) [France]
After her graduation in architecture and urbanism, Jos Auzende took part in the launch and programming of Batofar, a one-of-a-kind venue dedicated to early electronic music in Paris. She joined the Gaîté Lyrique team as artistic advisor when the project was at its starting point of developing this multifaceted cultural center, dedicated to music and media art.
With a profound interest for new, virgin territories, minor practices that deal with stories to tell-and-say, she crosses media and minds by setting frames for programming in a curatorial way that questions the expanding status of works and viewers in the digital age. Noting that media art is still difficult to access and that children are sometimes dismissed as an audience, she invented Capitaine futur, a forward-thinking, invisible guide that directly addresses children and narrative forms related to technological transformations which foster interaction and art as a growing process.
Julia Sarisetiati (Artist, Curator / ruangrupa) [Indonesia]
Born in 1981, Julia Sarisetiati participated in the artist collective ruangrupa in Jakarta in 2000. She is currently running a community space called Gudang Sarinah Ekosistem as part of the management team. She has participated in the Singapore Biennale (2011) and Gwangju Biennale (2011) as an artist and photographer. In 2017, she became a curator for the media art festival OK.Video, where she exhibited works on the theme of “pangan” (food), which she has developed into laboratory-based research projects to demonstrate and explore economic and social sustainability.
Aria Dean (Rhizome at the New Museum, Assistant Curator of Net Art) [USA]
Aria Dean is an artist, writer, and curator based in Los Angeles, CA. She is assistant curator of net art and digital culture at Rhizome, an art organization based on the internet and at the New Museum in New York City. Her writing has been featured in Artforum, Art in America, The New Inquiry, Real Life Magazine, Topical Cream Magazine, Mousse Magazine, CURA Magazine, and X-TRA Contemporary Art Quarterly. She has spoken at art institutions and colleges and universities around the US including the New Museum (New York City, NY), UCLA (Los Angeles, CA), Reed College (Portland, OR), The New School (New York City, NY), and the Canadian Center for Architecture (Montreal).
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Administrator of the International Symposium for Media Art (Knot Co, Ltd)
1-A COMS, 2-3 Uguisudanicho, Shibuya-ku, Tokyo, 150-0032 Japan
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