The purpose of this production was to “reaffirm the happiness scattered throughout trivial everyday events.” In it, the troupe captured people’s different “backgrounds,” “thinking,” “ideologies,” perceiving the differences in mutual values when coexisting in marriage, with a partner, with family, friends, and co-workers as the rhythm of daily life. The audience was given a vicarious experience of this “rhythm” through the characters, who repeatedly clash due to their different “rhythms.” Based on the premise that “rhythms’” and “wavelengths” differ in real life, the work brought a new perspective on how to achieve friction-free mutual understanding in life, as well as demonstrating the possibility of new approaches to theater and drama.

Performers: Kento Ieiri, Ryuji Takahashi, Urara Shimamura, Haruyo Kobayashi ,Taira Inoue, Anna Sadamori, , Morihiro Matsui
Production staff: Script team Kyujitsu no Toshokan
Directed by: Fu Ikeuchi, Masayuki　Suga
Dramaturg: Kenji Ohara
Main director: Hiroto Hirai
Producer: Mizuho Ohara