#04 [GYOAN] - Daiki Okuaki and Sumire Miyoshi
Publication of new songs
Meeting to create new songs
A series of concerts created by Sumire Miyoshi, an ensemble pianist, working with singers and researchers. She was involved in producing and performing all five performances.
#01 [KANRYU] Mezzo-soprano: Hinano Yorimitsu.
J.S. Bach: Qui sedes from Mass in B minor, BWV 232
Mozart: Aria “Conservati fedele” K.23
Rossini: from “Otello”, etc.
#02 [TANSEI] Soprano: Sae Fujii
Bellini: from “I puritani” amd “La sonnambula”
Chopin: Nocturne in E flat major, Op.9-2 (Vocalise version), etc.
#03 [ZANKO] Tenor: Shion Nishiyama
Rameau: from “Castor et Pollux”
Séverac: Song of a Little Horse
Gounod: from “Romeo and Juliet”, etc.
#04 [GYOAN] Bass: Daiki Okuaki
Massenet: Elegy
Rachmaninov: from “Aleko”
Mussorgsky: from “Boris Godunov”, etc.
#05 [YOJO] Soprano: Ayako Suzuki
Yamada Kōsaku: “Kaze ni yosete utaeru haru no uta” and Lieder “Yūin”
Sumire Miyoshi: New work (Poem translation by Takumi Soma), etc.
MIYOSHI Sumire
MIYOSHI Sumire graduated from the Tokyo College of Music, Department of Composition and Conducting (Composition). After completing the Graduate School of the Tokyo College of Music (Accompaniment), she has worked as an accompaniment researcher at the same college for three years.
She has participated in numerous master classes both in Japan and abroad, including the Workshop by Mariella Devia, a project commissioned by the Agency for Cultural Affairs in 2016, and ‘Gruppo Kappa’, directed by Tadayuki Kawahara. In addition to working as a choreptitur and rehearsal pianist for several opera campanies and choral groups, she is also actively involved in stage performances, such as the full-act piano performance of La bohème by Novanta Quattro, and the premiere of new orchestral works. She is joining Yokohama Choral Society as a pianist.
Kaga-cho Hall, Shinjuku City, Tokyo
