On "The Public": From Tokyo
In my last column, “On ‘The Public’: From Berlin“, I wro...
On universality and individuality
The office where I work is on the 21st floor of a high-rise building in Tokyo. Y...
The Topographic Study of Tokyo
須弥山も 五岳も富士も 一同に どつととわらふ 春はきにけり All at once, Mount Meru, the Five Great Mounta...
On "The Public": From Berlin
Having been granted a sabbatical by my employer, I’ve been living in Berli...
A Fresh Look at the Value of Grants
I get the impression that, for some reason, grants are no longer considered to b...
What can we achieve beyond 2020 with the cultural program?
―"If you want legacy, then you have to plan for it"
There are five years to go until the 2020 Olympic and Paralympic Games in Tokyo....
Towards the Promotion of Cooperation between the Public and Private Sectors
I have always said that it is creation that is important, not consumption. The i...
Chairman, Tokyo Council for the Arts
Excerpt from Speech at Forum on Official Launch of Arts Council Tokyo (Tokyo Bu...
- 2020/08/21 Will you infect your co-performers? Satoshi Miyagi
- 2019/02/01 Thoughts from the “Lineage of Eccentrics” exhibition Iwao Nakatani
Considering Tokyo 2020 from the Perspective of Two “City of Culture” International Conferences
— The Asia Cities Culture Forum (ACCF) and the World Cities Culture Summit (WCCS) Mitsuhiro Yoshimoto
- 2018/10/02 The Meaning of “Impact of Investment in the Arts and Culture” Taneo Kato
- 2018/09/13 Human Resource Development in the Arts: Expertise and Complexity Akira Tatehata